{"id":818,"date":"2012-06-30T13:00:43","date_gmt":"2012-06-30T11:00:43","guid":{"rendered":"http:\/\/www.natascha-nikeprelevic.de\/en\/?page_id=818"},"modified":"2014-10-13T23:26:06","modified_gmt":"2014-10-13T21:26:06","slug":"solo-2","status":"publish","type":"page","link":"https:\/\/www.natascha-nikeprelevic.de\/en\/solo-2\/","title":{"rendered":"COMPOSITION"},"content":{"rendered":"

\"\"<\/em>Music for Choir – Duo – Solo<\/strong><\/p>\n

The voice is our completely natural linguistic instrument. In a time in when in the area of acoustic art the dominating trend is to denaturalize everything either electronically, or even to generate electronically it is really thrilling to return to the sources and to appreciate the voice as a music instrument once more. And to raise this to a new standard for what can be music in its most extreme sense.<\/p>\n

\nNACH STRICH UND FADEN<\/strong>
\nDuo Performance for voice and bass
\nby and with Natascha Nikeprelevic
\nbass: Achim Tang
\nPremi\u00e8re: Nov. 2011, Schosstheater Moers<\/strong><\/p>\n

Bread & Circuses<\/strong>
\nor The attempt to lift the mood
\nPerformance for solo voice
\nby and with Natascha Nikeprelevic
\nPremi\u00e8re: Nov. 2011, Praetorium Cologne<\/strong><\/p>\n

All Ears<\/strong>
\nSolo Performance for voice
\nby and with Natascha Nikeprelevic
\nPremi\u00e8re: June 2011, Arts Courts Ottawa (Canada)<\/strong><\/p>\n

TREEPHONY<\/strong>
\nSolo Performance for voice and rustling leaves
\nby and with Natascha Nikeprelevic
\nPremi\u00e8re: Oct. 2010, deep in the forrest (Bochum\/Germany)<\/strong><\/p>\n

VICINIT\u00c1<\/strong>
\nMusic Theatre for solo voice
\nby and with Natascha Nikeprelevic
\nPremi\u00e8re: Oct. 2010, University of Siegen<\/strong><\/p>\n

Songs of Stone<\/strong>
\nConcert for voice and Sound-Stone-Sculptures
\nby and with Natascha Nikeprelevic
\nPremi\u00e8re: June 2010, Atelier Elmar Daucher, Oggelshausen<\/strong><\/p>\n

USE AS IS<\/strong>
\nSolo-Space-Performance for solo voice and the actual fact of the space (here: chair, radiator, ladder)
\nby and with Natascha Nikeprelevic
\nPremi\u00e8re: April 2010, Kule Theatre, Berlin<\/strong><\/p>\n

monophonie<\/strong>
\nStructural Theatre for solo voice
\nby and with Natascha Nikeprelevic
\nPremi\u00e8re: March 2010, Villa Unspunnen, Suisse<\/strong><\/p>\n

Recital<\/strong>
\nfor voice and tambura
\nby and with Natascha Nikeprelevic
\nPremi\u00e8re: Dec. 2009, Forum Pacific, St. Gallen, Suisse<\/strong><\/p>\n

form & emptiness<\/strong>
\nfor voice and tape
\ntape: Polychord (M. Vetter)
\nvoice: Natascha Nikeprelevic
\nPremi\u00e8re: May 2007, Kreuzkirche, Bonn<\/strong><\/p>\n

allOne<\/strong>
\nMusical Theatre in five scenes for a singing actress.
\nConcept: Michael Vetter
\nChoreography: Natascha Nikeprelevic
\nPremi\u00e8re: Dec. 2002, St. Heinrich und Kunigund Church, Cologne<\/strong>
\n<\/p>\n

In preparation<\/h2>\n

Inside Out<\/strong>
\nfor voice and a few piano keys
\nby and with Natascha Nikeprelevic<\/p>\n

GrafFitti<\/strong>
\nMusical reading with graphic projections.
\nConcept, text and grafic: Michael Vetter
\nVoice, Choreography and Projection: Natascha Nikeprelevic<\/p>\n

saturday night bath<\/strong>
\nConcept: Michael Vetter
\nVoice and Choreography: Natascha Nikeprelevic<\/p>\n","protected":false},"excerpt":{"rendered":"

Music for Choir – Duo – Solo The voice is our completely natural linguistic instrument. In a time in when in the area of acoustic art the dominating trend is to denaturalize everything either electronically, or even to generate electronically it is really thrilling to…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-818","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/pages\/818","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/comments?post=818"}],"version-history":[{"count":11,"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/pages\/818\/revisions"}],"predecessor-version":[{"id":1089,"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/pages\/818\/revisions\/1089"}],"wp:attachment":[{"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/media?parent=818"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}