<\/p>\n
or watch all videos of Natascha here<\/a><\/p>\n <\/h3>\nVideo: Natascha Nikeprelevic: Twentyfive minutes on line<\/strong><\/h3>\n <\/p>\n<\/iframe><\/p>\n<p>twentyfive minutes on line.<b> <\/b>Space performance on white line for voice, cloth, rope and hairdrier in Dan Dryers Installation „Runway „.In case Natasha interprets the line in the space as a synonym for the length of a lifetime, it challenges her to explore and enjoy the performance more intensely than ever! (BBK Cologne)<\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: allEin<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/3ZNPZ8tEcUU\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\">&amp;amp;amp;amp;amp;amp;amp<span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span>;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;span class=“mce_SELRES_start“ data-mce-type=“bookmark“ style=“display: inline-block; width: 0px; overflow: hidden; line-height: 0;“&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;\ufeff&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;\/span&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;<span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_end\">\ufeff<\/span><\/iframe><\/p>\n<p>allOne – Musical Theatre in five scenes for a singing actress. Concept: Michael Vetter<br \/>\nVoice & Choreography: Natascha Nikeprelevic. Teatro Potlach, Rome). <em><strong>Comments on youtube: <\/strong>„An instant classic if you ask me!“ – „I think Natascha is one of the most interesting artist in this kind of research!“ <\/em><i>„In this performance I detect \u201call in one\u201d her skills of dramatic art \u2013 voice, dance, whole body movements and her specific language of hands \u2013 her diversity of expression is amazing, starting with shadow play and developing a presentation of her real beautiful person once in meditation or<br \/>\non extroverted provocations.\u201d<\/i><\/p>\n<h3> <\/h3>\n<h3><strong>Video: FEATURE: Natascha Nikeprelevic & WDRadio Choir<\/strong><\/h3>\n<p> <\/p>\n<p><a href=\"https:\/\/www.natascha-nikeprelevic.de\/solo\/\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/ZImdrM6l6A4?rel=0\" width=\"640\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/a><\/p>\n<p>RE | S | PONS < for choir and solo voice. WDR-Rundfunkchor & Natascha Nikeprelevic (solovoice and composition). Video-Feature in German with englisch subtitles. Premiere Performance Concerthall Dortmund.<\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: Towards the Light <\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/hKbaKN9Hu_U?rel=0&controls=0\" width=\"640\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><em>„<\/em><strong><em>Natascha Nikeprelevic is known as one of the premier overtone singers in the world.<\/em><\/strong> She has perfected an ancient art of singing that is believed to have started among tribes in western Mongolia and southern Siberia“. Read full <em><strong><a href=\"https:\/\/www.good.is\/articles\/other-wordly-overtone-sounds-of-natascha\">Article<\/a> by Tod Perry, Good Magazine, USA.<\/strong><\/em><\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: Songs of Stone<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/XCzD-JsaJ3A\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\">&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;span class=“mce_SELRES_start“ data-mce-type=“bookmark“ style=“display: inline-block; width: 0px; overflow: hidden; line-height: 0;“&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;\ufeff&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;\/span&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;<\/iframe><\/p>\n<p>Songs of Stone – for solo voice and sound stones. These stone-sculptures were made by the artist <a href=\"http:\/\/de.wikipedia.org\/wiki\/Elmar_Daucher\">Elmar Daucher <\/a>. His sound stones are polished cubes and steles weighing several tons. This, in certain rhythms sawed pieces can be made to sound by touching, hitting or rubbing with the hand. Since 2005 Natascha works with Dauchers sculptures; her concert programm „Labyrinth“ for two voices and sound stones (Duo Transverbal) was broadcasted by German Public Radio Berlin.<br \/>\n<a href=\"https:\/\/www.natascha-nikeprelevic.de\/?page_id=1480\">(Audio download)<\/a><\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: Invocation<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/dLZMARKeZIA?rel=0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Natascha Nikeprelevic: Invocation (Anrufung). Ritual f\u00fcr Stimme acapella. Obertongesang (Kontra-Oktave). Live-Performance, Transit International Theatre Festival, ODIN Teatret (Eugenio Barba), Denmark.<\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: Aus der Tiefe rufe ich<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/l0V1zPZJN_I?controls=0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Natascha Nikeprelevic: Excerpt, Live-Concert: \u201cAus der Tiefe rufe ich – The singing olive tree\u201d. Assumption Day (Maria Himmelfahrt). The concert took place in an exceptional place: inside an ancient cistern – part of the museum of olives – in the heart of a medieval village in Italy. While that alone wouldn\u2019t be the most exciting thing, the Piazza on top of the cistern\u2019s roof hides a spectacular secret: Here the world\u2019s largest by aeroponic technology powered olive tree grows its roots in 12 meter height into the open ceiling of the cistern. The roots of the tree are hanging in the air and are watered only by the air moisture of the cistern. Natascha performed 3 times in a row but always differently because she improvised each time in respondence to the very vivid and surprising acoustics of the space. Inside – on the bottom of the 12 meters high space it was close to full darkness, hot and humid and Natascha painted her skin white to be visually better catched by the film camera… This excerpt is an edit of all three live-concerts of the evening.<\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: Base Note<\/strong><\/h3>\n<p> <\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/UbcnzokcQ74\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\">&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;span class=“mce_SELRES_start“ data-mce-type=“bookmark“ style=“display: inline-block; width: 0px; overflow: hidden; line-height: 0;“&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;\ufeff&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;\/span&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;<\/iframe><\/p>\n<p style=\"text-align: left;\"> <\/p>\n<p> <\/p>\n<h3><strong>Video: Natascha Nikeprelevic: Threadline<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/bGHuBRe254k\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Threadline – Music Theater for Double Bass and Voice. Excerpts of the Live-Performance, Citytheater Moers. Double Bass: Achim Tang. Voice, Composition & Choreography: Natascha Nikeprelevic.<\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: VICINIT\u00c0<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/CjAdA0by37Y\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Musiktheater f\u00fcr Stimme Solo von und mit Natascha Nikeprelevic. Ausschnitte der Live-Performance (Kule Theater Berlin).<\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic & Michael Vetter: Zen-Musik: Mond & Nachtigall<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/SEIFFOUgWCw\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Duett f\u00fcr Stimme und Blockfl\u00f6te. Natascha Nikeprelevic und Michael Vetter gelten als Meister der Improvisation und sind als K\u00fcnstler-Duo seit mehr als 15 Jahren mit ihrer Musik zu h\u00f6ren – Mond & Nachtigall zeigt noch einmal neu, was ein musikalischer Dialog sein kann.<\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: Recital<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/FvN5C_-rKMI\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Recital for voice and tambura. The program of RECITAL ist to unfold the voice with overtone singing and to cross the borders of the harmonious context and the „corset“ of the Tambura-sound.<\/p>\n<h3> <\/h3>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: form & emptiness<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/0iZUKejIjGA\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p> <\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: VICINITY<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/rsWJ3oy4Syw\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Musictheatre for Solo Voice. Excerpts of the Live-Performance, University of Cologne.<br \/>\nVoice, Composition & Choreographie: Natascha Nikeprelevic.<\/p>\n<h3> <\/h3>\n<h3><strong>Video: FU ACUNE<\/strong> – Natascha Nike \/ Stimme – F.X.Randomiz \/ Elektronik<\/h3>\n<p> <\/p>\n<h2><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/PKSeCy2pKKQ\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/h2>\n<h3> <\/h3>\n<h3> <\/h3>\n<h3><strong>Video: Karlheinz Stockhausen: POLE f\u00fcr 2<\/strong><\/h3>\n<p> <\/p>\n<h2><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/6J97DeF1cPc\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/h2>\n<p>In „POLE f\u00fcr 2“ geht es um eine Art des Dialoges, die von vornherein voraussetzt, da\u00df es polar entgegengesetzte Positionen gibt, die inhaltlich musikalisch nicht ausgespart werden d\u00fcrfen, weil man sich andernfalls aus Angst vor bislang ausgegrenzten Extremen nicht wirklich auf die gesamte Bandbreite seiner Existenz einl\u00e4\u00dft. Insofern sich alles strukturell musikalisch ereignet, gibt es kein „Gut“ und „B\u00f6se“, sondern nur „Plus“ und „Minus“, und tats\u00e4chlich besteht die Notation des St\u00fcckes in erster Linie aus Plus- und Minuszeichen, die in beliebiger Zusammensetzung und Abfolge auf alle Parameter angewandt werden.“ (Michael Vetter). Urauff\u00fchrung, Tonhalle Z\u00fcrich, Schweiz.<\/p>\n<p> <\/p>\n<h3><strong>Video: Natascha Nikeprelevic: TREEPHONY<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/gbm9lAag0HM\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Wie man in den Wald hineinruft, so schallt es wieder heraus.<br \/>\nPerformance f\u00fcr Stimme und Waldesrauschen.<\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: USE AS IS ‚ ISTZUSTAND<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/gx1WlQysM-s\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Overtone singing in contemporary theatre: Here you see an excerpt of the full lenght evening performance: ‚use as is‘. The overtone-part, named ‚Ikonographia ranunculi‘ is dedicated to frogs…because…Caution: the singer grows frog legs while singing overtones…so this technique has all sorts of surprising possibilities.. ahem…effects…!<\/p>\n<h3> <\/h3>\n<h3><strong>SUBWAY f\u00fcr Stimme und Kotoharfe<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/-yM7Gbhmd5A\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Komposition, Stimme, Koto & Photographien von Natascha Nikeprelevic.<br \/>\nDer Klang der japanischen Koto Harfe ist f\u00fcr mich ein Sinnbild f\u00fcr Einsamkeit, herbe Sch\u00f6nheit, konzentrative Kraft… Diese Aspekte und das f\u00fcr die Japaner typische „bei sich sein“ habe ich auf meinen t\u00e4glichen Fahrten in Kyotos U-Bahnen in den Gesichtern der Reisenden wiedergespiegelt gesehen. So entstand diese Bild & Klang-Hommage.<\/p>\n<h3> <\/h3>\n<h3><strong>Alice in Wonderland<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/3cnjsztFkx0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Klang-Oper f\u00fcr Stimme und Synthesizer (Dauer: 50 Min.).<br \/>\nVoice: Natascha Nikeprelevic \u2013 Syntheziser: Andreas Wagner<br \/>\nDiese Klang-Oper ist eine Adaption an den Roman „Alice im Wunderland“ und beschreibt die Reise der menschlichen nat\u00fcrlichen Stimme durch das M\u00e4rchenland der synthetischen Kl\u00e4nge. Fremdes und Vertrautes, Assoziatives und n\u00fcchtern Klangliches begegnen einander in poetischem Wechsel.<\/p>\n<h3> <\/h3>\n<h3><strong>SUBAQUEOUS<\/strong><\/h3>\n<p> <\/p>\n<h3><iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/lteaFPuF2Jg\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/h3>\n<p>Musik f\u00fcr Stimme und Synthesizer. Stimme & Syntheziser: Natascha Nikeprelevic.<br \/>\nGoldfische h\u00f6ren etwa im gleichen Frequenzbereich wie Menschen. Schallwellen werden von der Schwimmblase aufgefangen und \u00fcber den Weberschen Apparat zum Innenohr geleitet. Ein blinder Goldfisch kann Menschen aufgrund der Stimme, oder des Vibrieren des Tons erkennen und eindeutig identifizieren. Diese Musik ist den Goldfischen im Teich der Universit\u00e4t der K\u00fcnste in Taipei gewidmet.<\/p>\n<p> <\/p>\n<h2 style=\"text-align: left;\">2 Videos – EXPO for 3 – Final Rehearsal and Premiere<\/h2>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube-nocookie.com\/embed\/IzNbYQ2eXow?rel=0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>EXPO for 3 – Karlheinz Stockhausen<\/strong><br \/>\nMusicians: Michael Vetter \/ Voice, Recorder – Natascha Nikeprelevic \/ Voice, Megaphone<br \/>\nF.X.Randomiz \/ Electronics.<br \/>\nExcerpts of the final rehearsal, Section 7-8, Eventnumbers 46-56<br \/>\nStockhausen Courses K\u00fcrten, Aug. 2013<\/p>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube-nocookie.com\/embed\/a-o6eM6J03w?rel=0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>EXPO for 3 Premiere – Karlheinz Stockhausen<\/strong><br \/>\nExcerpts of the world-premiere, Stockhausen Courses K\u00fcrten, Aug. 2013<\/p>\n<p> <\/p>\n<p> <\/p>\n<p> <\/p>\n<p> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>VIDEO Performances (Selection) or watch all videos of Natascha here Video: Natascha Nikeprelevic: Twentyfive minutes on line twentyfive minutes on line. Space performance on white line for voice, cloth, rope and hairdrier in Dan Dryers Installation „Runway „.In case Natasha interprets the line in…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-26","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/pages\/26","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/comments?post=26"}],"version-history":[{"count":89,"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/pages\/26\/revisions"}],"predecessor-version":[{"id":1667,"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/pages\/26\/revisions\/1667"}],"wp:attachment":[{"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/media?parent=26"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/iframe><\/p>\n<p>twentyfive minutes on line.<b> <\/b>Space performance on white line for voice, cloth, rope and hairdrier in Dan Dryers Installation „Runway „.In case Natasha interprets the line in the space as a synonym for the length of a lifetime, it challenges her to explore and enjoy the performance more intensely than ever! (BBK Cologne)<\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: allEin<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/3ZNPZ8tEcUU\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\">&amp;amp;amp;amp;amp;amp;amp<span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span>;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;span class=“mce_SELRES_start“ data-mce-type=“bookmark“ style=“display: inline-block; width: 0px; overflow: hidden; line-height: 0;“&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;\ufeff&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;\/span&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;<span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_end\">\ufeff<\/span><\/iframe><\/p>\n<p>allOne – Musical Theatre in five scenes for a singing actress. Concept: Michael Vetter<br \/>\nVoice & Choreography: Natascha Nikeprelevic. Teatro Potlach, Rome). <em><strong>Comments on youtube: <\/strong>„An instant classic if you ask me!“ – „I think Natascha is one of the most interesting artist in this kind of research!“ <\/em><i>„In this performance I detect \u201call in one\u201d her skills of dramatic art \u2013 voice, dance, whole body movements and her specific language of hands \u2013 her diversity of expression is amazing, starting with shadow play and developing a presentation of her real beautiful person once in meditation or<br \/>\non extroverted provocations.\u201d<\/i><\/p>\n<h3> <\/h3>\n<h3><strong>Video: FEATURE: Natascha Nikeprelevic & WDRadio Choir<\/strong><\/h3>\n<p> <\/p>\n<p><a href=\"https:\/\/www.natascha-nikeprelevic.de\/solo\/\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/ZImdrM6l6A4?rel=0\" width=\"640\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/a><\/p>\n<p>RE | S | PONS < for choir and solo voice. WDR-Rundfunkchor & Natascha Nikeprelevic (solovoice and composition). Video-Feature in German with englisch subtitles. Premiere Performance Concerthall Dortmund.<\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: Towards the Light <\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/hKbaKN9Hu_U?rel=0&controls=0\" width=\"640\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><em>„<\/em><strong><em>Natascha Nikeprelevic is known as one of the premier overtone singers in the world.<\/em><\/strong> She has perfected an ancient art of singing that is believed to have started among tribes in western Mongolia and southern Siberia“. Read full <em><strong><a href=\"https:\/\/www.good.is\/articles\/other-wordly-overtone-sounds-of-natascha\">Article<\/a> by Tod Perry, Good Magazine, USA.<\/strong><\/em><\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: Songs of Stone<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/XCzD-JsaJ3A\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\">&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;span class=“mce_SELRES_start“ data-mce-type=“bookmark“ style=“display: inline-block; width: 0px; overflow: hidden; line-height: 0;“&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;\ufeff&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;\/span&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;<\/iframe><\/p>\n<p>Songs of Stone – for solo voice and sound stones. These stone-sculptures were made by the artist <a href=\"http:\/\/de.wikipedia.org\/wiki\/Elmar_Daucher\">Elmar Daucher <\/a>. His sound stones are polished cubes and steles weighing several tons. This, in certain rhythms sawed pieces can be made to sound by touching, hitting or rubbing with the hand. Since 2005 Natascha works with Dauchers sculptures; her concert programm „Labyrinth“ for two voices and sound stones (Duo Transverbal) was broadcasted by German Public Radio Berlin.<br \/>\n<a href=\"https:\/\/www.natascha-nikeprelevic.de\/?page_id=1480\">(Audio download)<\/a><\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: Invocation<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/dLZMARKeZIA?rel=0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Natascha Nikeprelevic: Invocation (Anrufung). Ritual f\u00fcr Stimme acapella. Obertongesang (Kontra-Oktave). Live-Performance, Transit International Theatre Festival, ODIN Teatret (Eugenio Barba), Denmark.<\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: Aus der Tiefe rufe ich<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/l0V1zPZJN_I?controls=0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Natascha Nikeprelevic: Excerpt, Live-Concert: \u201cAus der Tiefe rufe ich – The singing olive tree\u201d. Assumption Day (Maria Himmelfahrt). The concert took place in an exceptional place: inside an ancient cistern – part of the museum of olives – in the heart of a medieval village in Italy. While that alone wouldn\u2019t be the most exciting thing, the Piazza on top of the cistern\u2019s roof hides a spectacular secret: Here the world\u2019s largest by aeroponic technology powered olive tree grows its roots in 12 meter height into the open ceiling of the cistern. The roots of the tree are hanging in the air and are watered only by the air moisture of the cistern. Natascha performed 3 times in a row but always differently because she improvised each time in respondence to the very vivid and surprising acoustics of the space. Inside – on the bottom of the 12 meters high space it was close to full darkness, hot and humid and Natascha painted her skin white to be visually better catched by the film camera… This excerpt is an edit of all three live-concerts of the evening.<\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: Base Note<\/strong><\/h3>\n<p> <\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/UbcnzokcQ74\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\">&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;span class=“mce_SELRES_start“ data-mce-type=“bookmark“ style=“display: inline-block; width: 0px; overflow: hidden; line-height: 0;“&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;\ufeff&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;\/span&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;<\/iframe><\/p>\n<p style=\"text-align: left;\"> <\/p>\n<p> <\/p>\n<h3><strong>Video: Natascha Nikeprelevic: Threadline<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/bGHuBRe254k\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Threadline – Music Theater for Double Bass and Voice. Excerpts of the Live-Performance, Citytheater Moers. Double Bass: Achim Tang. Voice, Composition & Choreography: Natascha Nikeprelevic.<\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: VICINIT\u00c0<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/CjAdA0by37Y\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Musiktheater f\u00fcr Stimme Solo von und mit Natascha Nikeprelevic. Ausschnitte der Live-Performance (Kule Theater Berlin).<\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic & Michael Vetter: Zen-Musik: Mond & Nachtigall<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/SEIFFOUgWCw\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Duett f\u00fcr Stimme und Blockfl\u00f6te. Natascha Nikeprelevic und Michael Vetter gelten als Meister der Improvisation und sind als K\u00fcnstler-Duo seit mehr als 15 Jahren mit ihrer Musik zu h\u00f6ren – Mond & Nachtigall zeigt noch einmal neu, was ein musikalischer Dialog sein kann.<\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: Recital<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/FvN5C_-rKMI\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Recital for voice and tambura. The program of RECITAL ist to unfold the voice with overtone singing and to cross the borders of the harmonious context and the „corset“ of the Tambura-sound.<\/p>\n<h3> <\/h3>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: form & emptiness<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/0iZUKejIjGA\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p> <\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: VICINITY<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/rsWJ3oy4Syw\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Musictheatre for Solo Voice. Excerpts of the Live-Performance, University of Cologne.<br \/>\nVoice, Composition & Choreographie: Natascha Nikeprelevic.<\/p>\n<h3> <\/h3>\n<h3><strong>Video: FU ACUNE<\/strong> – Natascha Nike \/ Stimme – F.X.Randomiz \/ Elektronik<\/h3>\n<p> <\/p>\n<h2><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/PKSeCy2pKKQ\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/h2>\n<h3> <\/h3>\n<h3> <\/h3>\n<h3><strong>Video: Karlheinz Stockhausen: POLE f\u00fcr 2<\/strong><\/h3>\n<p> <\/p>\n<h2><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/6J97DeF1cPc\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/h2>\n<p>In „POLE f\u00fcr 2“ geht es um eine Art des Dialoges, die von vornherein voraussetzt, da\u00df es polar entgegengesetzte Positionen gibt, die inhaltlich musikalisch nicht ausgespart werden d\u00fcrfen, weil man sich andernfalls aus Angst vor bislang ausgegrenzten Extremen nicht wirklich auf die gesamte Bandbreite seiner Existenz einl\u00e4\u00dft. Insofern sich alles strukturell musikalisch ereignet, gibt es kein „Gut“ und „B\u00f6se“, sondern nur „Plus“ und „Minus“, und tats\u00e4chlich besteht die Notation des St\u00fcckes in erster Linie aus Plus- und Minuszeichen, die in beliebiger Zusammensetzung und Abfolge auf alle Parameter angewandt werden.“ (Michael Vetter). Urauff\u00fchrung, Tonhalle Z\u00fcrich, Schweiz.<\/p>\n<p> <\/p>\n<h3><strong>Video: Natascha Nikeprelevic: TREEPHONY<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/gbm9lAag0HM\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Wie man in den Wald hineinruft, so schallt es wieder heraus.<br \/>\nPerformance f\u00fcr Stimme und Waldesrauschen.<\/p>\n<h3> <\/h3>\n<h3><strong>Video: Natascha Nikeprelevic: USE AS IS ‚ ISTZUSTAND<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/gx1WlQysM-s\" width=\"640\" height=\"395\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Overtone singing in contemporary theatre: Here you see an excerpt of the full lenght evening performance: ‚use as is‘. The overtone-part, named ‚Ikonographia ranunculi‘ is dedicated to frogs…because…Caution: the singer grows frog legs while singing overtones…so this technique has all sorts of surprising possibilities.. ahem…effects…!<\/p>\n<h3> <\/h3>\n<h3><strong>SUBWAY f\u00fcr Stimme und Kotoharfe<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/-yM7Gbhmd5A\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Komposition, Stimme, Koto & Photographien von Natascha Nikeprelevic.<br \/>\nDer Klang der japanischen Koto Harfe ist f\u00fcr mich ein Sinnbild f\u00fcr Einsamkeit, herbe Sch\u00f6nheit, konzentrative Kraft… Diese Aspekte und das f\u00fcr die Japaner typische „bei sich sein“ habe ich auf meinen t\u00e4glichen Fahrten in Kyotos U-Bahnen in den Gesichtern der Reisenden wiedergespiegelt gesehen. So entstand diese Bild & Klang-Hommage.<\/p>\n<h3> <\/h3>\n<h3><strong>Alice in Wonderland<\/strong><\/h3>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/3cnjsztFkx0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Klang-Oper f\u00fcr Stimme und Synthesizer (Dauer: 50 Min.).<br \/>\nVoice: Natascha Nikeprelevic \u2013 Syntheziser: Andreas Wagner<br \/>\nDiese Klang-Oper ist eine Adaption an den Roman „Alice im Wunderland“ und beschreibt die Reise der menschlichen nat\u00fcrlichen Stimme durch das M\u00e4rchenland der synthetischen Kl\u00e4nge. Fremdes und Vertrautes, Assoziatives und n\u00fcchtern Klangliches begegnen einander in poetischem Wechsel.<\/p>\n<h3> <\/h3>\n<h3><strong>SUBAQUEOUS<\/strong><\/h3>\n<p> <\/p>\n<h3><iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/lteaFPuF2Jg\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/h3>\n<p>Musik f\u00fcr Stimme und Synthesizer. Stimme & Syntheziser: Natascha Nikeprelevic.<br \/>\nGoldfische h\u00f6ren etwa im gleichen Frequenzbereich wie Menschen. Schallwellen werden von der Schwimmblase aufgefangen und \u00fcber den Weberschen Apparat zum Innenohr geleitet. Ein blinder Goldfisch kann Menschen aufgrund der Stimme, oder des Vibrieren des Tons erkennen und eindeutig identifizieren. Diese Musik ist den Goldfischen im Teich der Universit\u00e4t der K\u00fcnste in Taipei gewidmet.<\/p>\n<p> <\/p>\n<h2 style=\"text-align: left;\">2 Videos – EXPO for 3 – Final Rehearsal and Premiere<\/h2>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube-nocookie.com\/embed\/IzNbYQ2eXow?rel=0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>EXPO for 3 – Karlheinz Stockhausen<\/strong><br \/>\nMusicians: Michael Vetter \/ Voice, Recorder – Natascha Nikeprelevic \/ Voice, Megaphone<br \/>\nF.X.Randomiz \/ Electronics.<br \/>\nExcerpts of the final rehearsal, Section 7-8, Eventnumbers 46-56<br \/>\nStockhausen Courses K\u00fcrten, Aug. 2013<\/p>\n<p> <\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube-nocookie.com\/embed\/a-o6eM6J03w?rel=0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>EXPO for 3 Premiere – Karlheinz Stockhausen<\/strong><br \/>\nExcerpts of the world-premiere, Stockhausen Courses K\u00fcrten, Aug. 2013<\/p>\n<p> <\/p>\n<p> <\/p>\n<p> <\/p>\n<p> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>VIDEO Performances (Selection) or watch all videos of Natascha here Video: Natascha Nikeprelevic: Twentyfive minutes on line twentyfive minutes on line. Space performance on white line for voice, cloth, rope and hairdrier in Dan Dryers Installation „Runway „.In case Natasha interprets the line in…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-26","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/pages\/26","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/comments?post=26"}],"version-history":[{"count":89,"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/pages\/26\/revisions"}],"predecessor-version":[{"id":1667,"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/pages\/26\/revisions\/1667"}],"wp:attachment":[{"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/media?parent=26"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}