{"id":1224,"date":"2017-03-14T14:12:33","date_gmt":"2017-03-14T13:12:33","guid":{"rendered":"http:\/\/www.natascha-nikeprelevic.de\/en\/?page_id=1224"},"modified":"2025-02-27T16:33:06","modified_gmt":"2025-02-27T15:33:06","slug":"performances","status":"publish","type":"page","link":"https:\/\/www.natascha-nikeprelevic.de\/en\/performances\/","title":{"rendered":"PERFORMANCE"},"content":{"rendered":"

PERFORMANCE<\/h1>\n

 
\nNatascha Nikeprelevic is  a composer-performer, vocalist, speaker, dancer, composer and choir director and works in context of visual arts, theatre, music, opera, radio plays, animation, radio features and film. As a soloist and in various artist collectives, she deals with the themes: ‚Interaction of intention and coincidence‘, ‚equality of object and subject‘ and ‚poetry of a transverbal universal language‘. Natascha’s „Living-Objects-Performances“ are seen as a parable of a surreal nusic theater wich connect poetically the interdependent parameters of space-voice-body-object.<\/p>\n

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Projects (Selection)<\/strong><\/h2>\n

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Solo Performance<\/strong><\/h2>\n

\"Bildschirmfoto<\/a><\/p>\n

Treephony – Wie man in den Wald hineiruft, so schallt es wieder heraus<\/strong>
\nPerformance f\u00fcr Stimme und raschelndes Unterholz mit Megaphon und Gong<\/p>\n

 Tief im Wald, Bochumer Forst<\/p>\n

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\"\"Invocation<\/b><\/span><\/span>
\nPerformance f\u00fcr Stimme<\/p>\n

Transit Festival<\/p>\n

Odin Teatret D\u00e4nemark<\/p>\n

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\"\"Brot & Spiele<\/strong>
\nPerformance f\u00fcr Stimme<\/p>\n

 K\u00f6lner Museumsnacht<\/p>\n

Pr\u00e4teritum K\u00f6ln<\/p>\n

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\"\"<\/p>\n

Aus der Tiefe rufe ich<\/strong>
\nPerformance f\u00fcr Stimme in einem 12 meter tiefen Brunnen <\/p>\n

 Toskana, Italien<\/p>\n

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\"\"<\/p>\n

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\"\"Oracle<\/strong><\/p>\n

Performance f\u00fcr Stimme, Objekte und Tonband<\/p>\n

Raum Musik<\/p>\n

Universit\u00e4t zu K\u00f6ln<\/p>\n

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\"\"<\/p>\n

allEin<\/strong>
\nPerformance f\u00fcr Stimme <\/p>\n

 Teatro Potlach Rom<\/p>\n

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\"\"all ears – toutouie<\/strong><\/p>\n

Performance f\u00fcr Stimme und Objekte (Tuch und Spiegel)<\/p>\n

Dance Directive Ottawa, Kanada<\/p>\n

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\"\"Oracle<\/strong>
\nPerformance f\u00fcr Stimme und Tonband <\/p>\n

Ensems Festival<\/p>\n

Palau della Musica Valencia<\/p>\n

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Kontext Bildende Kunst<\/strong><\/h2>\n

\"Nikeprelevic_Strom1_\"<\/a>Catch<\/strong>
\nPerformance f\u00fcr Stimme und Installation<\/p>\n

Installation: Lang\/Baumann (Comfort #3) <\/p>\n

Strom Festival, Kunsthaus Rhenania, K\u00f6ln<\/p>\n

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\"\"Fadenscheinige Orakel<\/strong>
\nPerformance f\u00fcr Stimme und Fallenbilder<\/p>\n

von und mit Natascha Nikeprelevic
\nInstallation: Daniel Spoerri<\/p>\n

Galerie Martina Kaiser, K\u00f6ln<\/p>\n

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\"nikeprelevic_natascha_daucher_klangsteine\"<\/a>Songs of Stones<\/strong>
\nPerformance f\u00fcr Stimme und Klangsteinskulpture<\/p>\n

Atelierhaus Daucher, Oggelshausen<\/p>\n

Video: Songs of Stones<\/a><\/strong><\/p>\n

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\"Bildschirmfoto<\/a>Breathing Life into Golem<\/strong>
\nPerformance f\u00fcr Stimme und Skulptur <\/p>\n

Skulptur: Daniel Spoerri: Giardino di Daniel Spoerri, Seggiano, Italien<\/p>\n

Video: Breating Life into Golem<\/a><\/strong><\/p>\n

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\"\"twentyfive minutes on line<\/strong>
\nPerformance f\u00fcr Stimme und weisse Linie<\/p>\n

Installation: Dan Dryer<\/p>\n

BBK, K\u00f6ln<\/p>\n

Video: twentyfive minutes on line<\/strong><\/a><\/p>\n

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\"Bildschirmfoto<\/a><\/h3>\n

circadian rhythm<\/strong>
\nPerformance f\u00fcr berstenden Ton<\/p>\n

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Installation: Jan Glisman<\/p>\n

Heliosturm, K\u00f6ln<\/p>\n

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\"\"<\/h3>\n

Ariadne<\/strong>
\nPerformance Stimme der Aridane <\/p>\n

Installation: E.v. Samsonow<\/p>\n

Kunst im \u00f6ffentlichen Raum Nieder\u00f6sterreich, Mistelbach <\/p>\n

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\"\"<\/h3>\n

Light<\/strong>
\nPerformance f\u00fcr berstenden Ton<\/p>\n

Installation: Molitor & Kuzmin<\/p>\n

Kunsthaus Rhenania, K\u00f6ln<\/p>\n

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 Kontext Neue Music<\/strong><\/h2>\n

\"\"Pole f\u00fcr 2<\/strong>
\nKarlheinz Stockhausen <\/p>\n

Goethe Institut Palermo<\/p>\n

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\"\"Divine Speech<\/strong>
\nLunalia Festival <\/p>\n

Church of our Lady, Mechelen<\/p>\n

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Kontext Chor<\/strong><\/h2>\n

\"\"RE S PONS<\/strong>
\nChorwerk \/ Konzept-Improvisation<\/p>\n

Proben & Rundfunkaufnahmen<\/p>\n

WDRSendesaal K\u00f6ln<\/p>\n

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\"\"<\/strong><\/p>\n

RE S PONS<\/strong>
\nAuff\u00fchrung<\/p>\n

Festival chor.com<\/p>\n

Konzerthaus Dortmund<\/p>\n

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Kontext Video-Art<\/strong><\/h2>\n

\"\"Corona-Diary<\/strong>
\nVideo-Art<\/p>\n

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\"\"base note<\/strong>
\nVideo-Art<\/p>\n

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\"\"<\/p>\n

NDR Chor<\/strong>
\nPartizipatives Video-Art Projekt<\/p>\n

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Komposition f\u00fcr Stimme und Instrumente<\/strong><\/h2>\n

\"Bildschirmfoto<\/a>Nach Strich und Faden (Threadline)<\/strong>
\nPerformance f\u00fcr Stimme und Kontrabass<\/p>\n

von und mit Natascha Nikeprelevic
\nKontrabass: Achim Tang<\/p>\n

Stadttheater Moers<\/p>\n

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Kontext Filmanimation<\/strong><\/h2>\n

\"Bildschirmfoto<\/a>Deutschland in Kleinanzeigen<\/strong>
\nSound f\u00fcr Video-Animation 
\nNatascha Nikeprelevic und F.X.Randomiz
\nAnimation: Julia Gordon.  Martina Schulte, WDR  3<\/p>\n

Shortlist (2. Winner) Prix Italia<\/p>\n

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Kontext Dokumentarfilm<\/strong><\/h2>\n

\"Raumchoreografien<\/a>Gerlinde Beck: Raumchoreografien<\/strong>
\nDokumentarfilm<\/p>\n

von Kerstin Ergenzinger
\nmit Natascha Nikeprelevic, Joseph Suchy, Karlheinz Stockhausen u.a.<\/p>\n

 Metropolkino Stuttgart<\/p>\n

 <\/p>\n

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Kontext Oper<\/strong><\/h2>\n

\"Bildschirmfoto<\/a>Mittwoch aus Licht<\/strong>
\nOper von Karlheinz Stockhausen<\/p>\n

mit Natascha Nikeprelevic (T\u00e4nzerin: Luzikamel) u.a.<\/p>\n

Resindenztheater M\u00fcnchen<\/p>\n

 <\/p>\n

Video: Michaelion aus Licht<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

PERFORMANCE   Natascha Nikeprelevic is  a composer-performer, vocalist, speaker, dancer, composer and choir director and works in context of visual arts, theatre, music, opera, radio plays, animation, radio features and film. As a soloist and in various artist collectives, she deals with the themes: ‚Interaction…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-1224","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/pages\/1224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/comments?post=1224"}],"version-history":[{"count":10,"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/pages\/1224\/revisions"}],"predecessor-version":[{"id":1639,"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/pages\/1224\/revisions\/1639"}],"wp:attachment":[{"href":"https:\/\/www.natascha-nikeprelevic.de\/en\/wp-json\/wp\/v2\/media?parent=1224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}